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Press Reviews of Garrett Fischbach’s recording of the Bach Sonatas and Partitas: “The playing is very clean... His textures are refreshingly light, and he often rolls his chords, as was done in the 18th Century, rather than break them. Sections of movements are clearly distinguished by changes in dynamics or articulation. He sometimes inserts his own personal touches, as in the Fugue in Sonata 1 where he plays one passage sul ponticello.” - American Record Guide
“...obvious energy and enthusiasm...a jaunty alternative to more routine readings...sufficient rhythmic élan to recall anyone’s wandering attention...” “...recommend the set to collectors and students of violin playing...” - Fanfare Magazine “Fischbach clearly has lived and breathed this music for a long time and understands its emotional and intellectual content, its expressions of joy, darkness, and grandeur. Fischbach’s bowing and technique are breathtaking, both elegant and intense. [His CD is] well worth searching for at the usual online outlets. ” - Bostonia Magazine “His are performances of obvious commitment and he’s clearly given thought to essentials such as ornamentation, articulation, colour and some matters of performance practice. These are also very individual performances. Clearly a capable musician he is. ” - Musicweb International
"These great pieces are often studied, often played, and often recorded, but rarely with such clarity and inflection. Fischbach has obviously absorbed so much more than the "industry standard" approach to these works, and applied an intelligence and nuance that is not exceeded by any other recording available, and I've owned dozens of them. Here is a violinist who understands the violin, the music, and himself, and delivers as cohesive a musical statement as can be made. What has he accomplished here? Something that proves a musical mind at work that uses the violin to reveal music, music that is more often simply repeated than expressed. Here is the profound side of Bach, in a two disc set. Put it next to your Gould, another thinker NOT content to regurgitate Bach exactly as he was taught. Buy this CD, or buy my copies of other artists second hand. I have no need for them any more." - Mark D. Hutchens "Mr. Fischbach has given us a truly definitive recording of these wonderful pieces. Beautifully performed and recorded, Fischbach has done for the Sonatas and Partitas for Violin Solo what Glenn Gould did for the Goldberg Variations." - Mark N. Peterson
- David Teie "After listening to Garrett Fischbach's newly released 2 CD recording of the Sonatas and Partitas for Solo Violin several times, it has now become my favorite recording of these masterpieces by Bach. For the last 25 years my favorite recording of the unaccompanied Bach has been the one by Henryk Szeryng, released in 1968 (I owned both the original LP set and the 1996 CD) which I didn't think could be improved upon. Garrett Fischbach's fresh and very personal view of this music gives an exciting new perspective to these pieces that have been around for over 250 years. His easy and accurate technique allow the full 3 part polyphony to come through without any of the technical struggles apparent on most recordings, with the exception of Heifetz. His choice of using Eudoxa gut core strings (not mentioned in the liner notes) is rare in these days of synthetic strings and gives his sound a very smooth and appropriate Baroque character. Purists might criticize some of his personal interpretive choices such as his use of ponticello in the fugue of the G Minor Sonata, his occasional use of non-standardized ornamentation, or a few of his tempi, but after a few listenings I can't imagine it being done any other way. It is worth quoting from his personal liner notes: "While the study of antique style is enlightening, an attempt to recreate an `authentic' performance would be contrary to the inventive nature of this music, whose content easily transcends those issues." All in all I must say this is the most enjoyable recording of unaccompanied Bach I have ever heard from beginning to end, not just because I made the violin used. I believe even people who are not big Bach fans will enjoy it." - David Carón
- Cheryl Snell
- Steven L. Ross
- Mary Kay Robinson
- Darryl Kubian
- Gavin G. Dillard
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